But this was a good opportunity for what has never been played before, because that's the sort of anti-nostalgic part that I like. "Source Decay" was a mainstay for the show for a long time. "Death Metal Band" has never left the set list. You did work a few of those songs into the last live show I saw. So we're putting it back into print, but not really doing a reissue tour or anything. But you're right: I don't do “band plays album in original sequence” shows, and yeah, I don't do anything backwards if I can help it. So I thought it'd be nice for them to have it exist. Emperor Jones doesn't exist anymore, so they can't get a good copy. I think people generally still like to have something, because it's been out of print for a long, long time and never been out on vinyl. Well, it's out of print, and it's nice to have an object. In fact, one of your Tumblr posts advocates “destroying Memory Lane.” What made you revisit "All Hail West Texas"? You don't strike me as a very nostalgic sort. We were curious about this, and how (if at all) he had changed his songwriting style in the intervening years. However, these were all relatively low-key releases. "All Hail West Texas," with its new liner notes and recently unearthed bonus tracks, is the only Mountain Goats catalog item that has received the full-fledged reissue treatment. He has made a couple of his early cassette releases available on CD (including the crucial "Hot Garden Stomp"), and has compiled three CD compilations of early music ("Protein Source of the Future. Without really adhering to a unifying concept, "All Hail West Texas" now appears to foreshadow the more thematic approach Darnielle would shortly adapt on such studio albums as "Tallahassee," "The Sunset Tree" and last year's "Transcendental Youth."Īs you'll see in the interview below, Darnielle is not a nostalgic man. Sometimes he performed with friends such as Rachel Ware, Peter Hughes and Franklin Bruno, but usually it was just him and a cheap tape recorder. One week, John found himself attending orientation for a new job while his wife was away at hockey camp. Anyone who's been through a corporate orientation knows how easy it is to drift off into a somnolent haze. John wisely used the time and office supplies to develop rough lyric drafts, recording them at night on his trusty boombox.Įarly in 2002, now-defunct indie label Emperor Jones released the results as "All Hail West Texas." Even by the high standards of the Mountain Goats' material to date, this was something special. Songs like “The Best Ever Death Metal Band Out of Denton” and “Fall of the High School Running Back” were far more detailed and self-reflective than anything that had come before. In the summer of 1999, John Darnielle and his wife, Lalitree, lived in Ames, Iowa. Over the prior decade, Darnielle had written and released dozens and dozens of songs under the name the Mountain Goats.
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